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The Days of the Child Prodigy are Over
The Days of the Child Prodigy are Over is a project that began in 2011. It started with a dialogue between Rakel McMahon and Bergpora Snaebjornsdottir, a.k.a Wunderkind Collective, where one used drawings and the other texts to communicate. The aim being to explore the idea of the genius from the point of view of individual experience and its implicit absurdity – the conflict that arises when a person tries to search for meaning in a universe he or she can never understand the inherent meaning of.
18th International Festival of Contemporary Arts - City of Women: Aging
Bilingual festival catalogue/pamphlet featuring performances, installations, films, workshops and discussions from the 18th International City of Women festival (on ageing), Slovenia.
Natasha Davis: Performance Film Installation
Performance Film Installation is a new publication designed to mark five years of solo and collaborative performances, films and installations by Natasha Davis, and coinciding with the London premiere of Internal Terrains at Chelsea Theatre as part of Sacred. A diverse range of authors and artists have generously responded to an invitation to provide insights into various aspects of Natasha's practice.
Kunst und Klima / Art and Climate
Catalogue published on the occasion of the exhibitions: High Temperature. Art and Climate, and Weather Report. Art and Climate Change, 2012-2013.
The Bruce Lacey Experience: Paintings, Sculptures, Installations and Performances
He could be considered a latter-day English Dadaist, but Bruce Lacey's place in 20th-Century British Art is still uncharted and ill-attended to. He goes missing in critical accounts of mid- and late-century art and this short monograph is an attempt to remedy the omission by analysing his work in relation to the shifting cultural contexts of the period.
A Bigger Splash: Painting after Performance
A Bigger Splash: Painting After Performance takes a new look at the dynamic relationship between performance and painting from 1950 to the present day. Published on the occasion of the exhibition of the same title at the Tate Modern, 14 November 2012 – 1 April 2013.
Artificial Hells: Participatory Art and the Politics of Spectatorship
The first historical and theoretical overview of socially engaged participatory art, known in the US as ‘social practice’. Follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic.
Gustav Metzger, Decades: 1959-2009
Catalogue published on the occasion of the exhibition of the same name at the Serpentine Gallery, London, 29 September – 8 November 2009.
History or Not
A presentation in response to an invitation to speak for 15 minutes on Art, Activism and Feminism in the 1970s at '347 minutes… a Conference' at Conway Hall, London, 24.3.2000, held in conjunction with the Whitechapel Exhibition 'Live in Your Head' January – March 2000. Miscellaneous articles, folder 4.
Found in miscellaneous article folder #5A
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Phil Collins: The world won’t listen
Exhibition catalogue, Dallas Museum of Art
