Free festival publication.
Vanishing Points is a new anthology of cultural criticism, focusing on the making, watching and conditions of Live Art and performance in the UK today. Vanishing Points is edited by Salome Wagaine, with deputy editors Ava Wong Davies and Ben Kulvichit, and designed by Chani Wisdom.
On diffractive Co-conspiracy in Queer, Crip Live Art Production.
Performance Research pg 92-100, On Diffraction, Volume 25, No 5, July/August 2020.
On queering censorship in the Aichi Triennale 2019.
Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.
On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
Ron Athey is one of the most important, prolific and influential performance artists of the past four decades. Queer Communion, an exploration of Athey’s career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey’s performative practice and each community he engages.
Final Transmission is a book of intergenerational dialogue between artists, scholars and activists about what it means to transfer the skills, ideas and mysteries of performance through pandemic and crises.
The book is the final edition of NS, Brian Getnick and Tanya Rubbak’s 6 volume archive of performance art and community in Los Angeles.
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
Part of ‘series of rituals practicing ways to dialog with the natural world’ by Fernanda Branco, MA in Performance Norwegian Theatre Academy//Østfold University College.
On dance and performance since 1989 follows the congress of Tanzquartier Wien to which we had invited participants from all over Europe to talk about new geographies and artistic workforms and workspaces in the fields of dance and performance, about the widely interweaved and cross-referencing, often indistinguishable and multiply coded cultural figures of production, reception and reflection.