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Kiss My Genders
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
Performance y arte contemporáneo: Discursos, prácticas, problemas
. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.
In Spanish.
Acts of Transgression: Contemporary Live Art in South Africa
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
London Orbital: A Walk Around the M25
Maps the vast stretch of urban settlement outside London bounded by the M25.
The Crossing of Innumerable Paths
The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.
Marina Abramović for LADA Opening
Short video recorded for the LADA reopening.
Afterlives
An evening considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely. Inspired by the acquistion of the Ian Hinchliffe archive by Queen Mary.
16 November 2017
Cabinet Of Curiosities
A journey through the history of disability – a history lesson with a difference.
Part of The Library of Performing Rights (P3041).
Misha Horacek collection
Includes:
Moon River (and project description), 2018/2019, 10:47
Nest: Inhabit (and project description), 2019, with Samantha Sweeting, 11:42
The Empty Station (and project description), 2017, with Chris Spencer-Lowe, 5:58
A Glimpse Inside the Grotto
A performance by of the UK’s most ‘genuinely terrifying’ artists.
This video was part of LADA Screens, and was available online from 15 – 29 July 2015.
Live art: Definition and documentation
Considers the inter‐disciplinarity of ‘Live Art’ as a field of work and as a performance practice.
From the British Live Art: Essays and Documentation issue.
From Moment to Moment
Documentation from the exhibition at the Cambridge Darkroom, 1990.
