Publication on the participatory mapping project developed that took place on the Redways in Milton Keynes from 17th – 29th July, 2018.

This item can be found in the locked glass cabinet.

Using a series of exercises and increasingly in depth ‘trips’, the book sets out clear and concise steps to enable individuals and groups to access their imagination and unconscious reason, to work on behalf of others. Using a series of exercises such as ‘Becoming a Bat’, ‘Crawling’, ‘Draw a Sound’ and ‘Impersonating a Human’, Marcus Coates has developed his own practical techniques to solve problems that we might otherwise remain dumbfounded by.

In the glass cabinet.

Complete archive of Tsitsopoulos' “Is Art Lonely?” project, including artist CV; video of performance at LADA; curatorial texts; drawings; Is Art Lonely? (video), video and photo documentation.

In glass cabinet.

Archive and essay on the artistic exploration of exorcism. Includes a dissertation, CDs, DVDs, and objects.

In the glass cabinet.

Complete collection of Primary Sources on the International Performing Arts. Includes issues 1 to 8, (1979 – 1981). Includes originals of issues 1 (two copies), 2 (two copies), 3, and 4 (two copies), as well as photocopies of all eight issues.

In the glass cabinet.

A catalogue of questions about traits of our behaviour and anatomy, The same answers are possible for all members of Hominini – a tribe of apes including humans, bonobos and chimpanzees.

Includes:
-Corridors, Stairways & Corners
-A Lexicon ofLabour Movements
-The Italic I (Tacturiency)
Generously donated to LADA's Study Room by Clare Thornton.

In the glass cabinet.

Hard drive with digitalised publications (P3407 – P3439) from the Study Room Guide on Southeast Asian performance. In glass cabinet.

Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).

Three drunks in bad wigs and jumble-sale clothes endlessly enact the events surrounding the supposed or imagined death of one of their friends as if, by replaying the events, their truth or otherwise might be revealed.

High quality multi-camera performance documentation recorded at Trent Polytechnic, Nottingham, June 1989, 70 mins. approx.

This item can be found in the locked glass cabinet.

Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud.

Directed by Elizabeth LeCompte. With Scott Shepherd, Ari Fliakos, Koosil-ja, Alessandro Magania, Greg Mehrten, Daniel Pettrow, Casey Spooner and Kate Valk. Songs by Fischerspooner. 2 hours, 30 minutes

This item can be found in the locked glass cabinet.