Through the summer of 2002, members of Forced Entertainment undertook a series of journeys, each travelling alone to locations in the UK to complete tasks determined only partially in advance.

This item is referenced in the Making Routes Study Room Guide (P1964).

“a loose collection of texts, sequenced like a mixtape” and dedicated to visions of real freedom in the present. Includes: Moyra Davey on writer’s block, Walter Benjamin, and Jane Bowles Bruce Hainley channels Paloma Picasso to jot some notes on Margie Schnibbe and the “explicit.” Bifo on Stanley Kubrick’s Eyes’s Wide Shut, and the relation between irony and cynicism Paul Virilio on seascape, inertia, and the Zynthia cyclone Chris Kraus and Sylvère Lotringer on George Porcari’s ambient photography Shlomo Sand and Sylvère Lotringer on contemporary Israel, myth, and the invention of Zionism. Alistair McCartney on early 90s bohemia in Hyde Park, Perth, Australia. Dodie Bellamy on queer subculture and the “Goldilocks syndrome.” Veronica Gonzalez’s short story on friendship, loss, and Los Angeles Rachel Kushner’s short story that takes up pubescence, motorcycles, and Flaubert’s lewd correspondence from the Nile. Eileen Myles on Winston Leyland’s legendary 70s tabloid, Gay Sunshine.

Debut film of Turner Prize winner Gillian Wearing. Supported by Fly Film Production, Third Films,Channel 4 Britdoc Foundation, the Arts Council of England and Abandon Normal Devices. see also: P1886 Gillian Wearing exhibition catalogue

DVD in the back sleeve of the book, entitled, The Future of Art: A Film.

Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.

Attempts to build a bridge between different disciplines and the traditions and stories of the past.

A book-film – text with DVD. NOTE: text is in French, DVD in both English and French.

Programme notes:‘Let’s get this straight folks, Bull: The True Story was a pack of lies, a cover up, it was a performance set up to upstage the truth.’ The Making of Bull: The True Story unravels mysteries…including the mysteries of why we make art and how our art makes us. It questions what’s real and what’s fake. Inspired by the film Fargo, which proclaims in its prologue, ‘This is a true story’, Hawaii-born Makishi finally comes out and tells the whole truth as she brings forth an elliptical tale trying hard not to tell itself. Just what is she hiding? You’ll have to see it to believe it. Stacy Makishi is a Chelsea Theatre Associate Artist. Preceded by a short performance by an early career artist on the bar stage. Post show Q&A with the artist. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

Also see P1517 and P1518.

This Is Performance Art: Performed Sculpture and Dance 8th April 2010 – 06 June 2010 Camden Arts Centre

booklet produced for Home Live Art’s River Inquiry event at the Mayor’s Thames Festival.

Dead Season Live Art, 2010, Margate, Limbo Arts.See P1496 for full Dead Season Live Art programme.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

This book is exactly 25,000 words long which corresponds to the 25,000 metres or strokes the artist swam during the month her Mother was dying.