Catalogue > By Keyword > audience
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Gob Squad and the Impossible Attempt To Make Sense of It All
A 150 page reader for students and other particularly interested audience members stuffed full of texts, scripts, interviews and concept documents.
The Only Way Home Is Through the Show: Performance Work of Lois Weaver
The book explores Weaver’s collaborative work with Split Britches and Spiderwoman as well as her solo projects, performance interventions, and work as a facilitator, teacher, and as Tammy WhyNot.
A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance
Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.
The Number One Bus Drawing Book
An edited collection of work made between 15th and 25th September 2010 for b-side festival. Drawings by Joff Winterhart ; text and design by Sue Palmer. Includes a CD with the song composed by the piece.
Other Hospitalities: Reflections on Chris Goode’s Ensemble Ponyboy Curtis
Includes reactions by Good, Megan Vaughan, Costa and Simon Bowes.
Embracing the Elusive or the necessity of the superfluous
Belgian festival director and curator Frie Leysen challenges Australian artists and arts organisations to be bold, and to challenge an increasingly ossified status quo in her closing keynote address at the 2015 Australian Theatre Forum (ATF). Miscellaneous folder #5A.
The Clothes Make the Woman
Artist Sarah Baker talks to Marcia Farquhar about live performance, the visual, fiction and fantasy and meeting Peaches.
I Once Fell in Love with an Audience Member Practice, Performance, Politics
In this essay, Tania El Khoury considers performance through the lens of her own practice as a live artist and as a member of Dictaphone Group, a live events project El Khoury started with Abir Saksouk. What emerges is a perspective of a contemporary artist working within the frame of performance, and how one within this frame might define their own practice through experience. In Miscellaneous Articles Folder #4.
Unruly Utterances: Participation, Criticality and Compass Festival 2014.
10 practitioners from different backgrounds to reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014. Contributors include Andy Abbott, Emma Cocker, Patrick Coyle, Victoria Gray, Gillie Kleiman, Annie Lloyd, Gill Park, Harold Offeh, Nathan Walker, Adam Young. A limited edition hard copy.
Marina Abramović: 512 Hours
This exhibition catalogue brings together material from the artist’s private archive: images, texts, diaries and other ephemera that act as points of reference in Abramović’s oeuvre. The publication includes an essay by the exhibition’s curator, Sophie O’ Brien, and also tracks, through diary entries and photographs, Abramović’s journeys in Brazil in 2013, which informed her planning for the exhibition at the Serpentine Gallery.
