The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
| Editor | Filipa Ramos |
|---|---|
| Publisher | Whitechapel Gallery |
| ISBN | 978-0854882496 |
| Reference | P3739 |
| Date | 2016 |
| Type | Publication |
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
Art Review Issue 26 / October 2008
pg. 74-81
Feature on Elmgreen & Dragset : Inconvenient Truths
Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p21-45
Contemporary Theatre Review Volume 31 Issue Number 3 August 2021
This zine brings together writings and words from contributors who came together in the summer of 2018 at Bethnal Green Nature Reserve (BGNR) to think about and connect with soil.
A booklet with information, event and workshop listings for Queer Ecologies at Tower Hamlets Cemetery Park held in 2021.
Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.
This book is Derek Jarman’s own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden’s complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. We also catch glimpses of Jarman’s life in Dungeness: walking, weeding, watering, or just enjoying life.