The Twenty-First Century Performance Reader

Aaron Williamson Action Hero activism Agata Siniarska amateur Andriy Zholdak Andy Smith artists audience Augusto Corrieri autobiography Back To Back Theatre Blast Theory body Brett Bailey capital Chris Goode cinema Clod Ensemble Constantin Chiriac criticism Dah Theatre Dalia Basiouny David Chisholm Deepan Sivaraman Derevo devised theatre diary disability documentary theatre Dood Paard Dries Verhoeven economy Eleanor Bishop Eleonora Fabião Every House Has A Door Farah Saleh Gecko gentrification Getinthebackofthevan Gibson/martelli Gob Squad Heiner Goebbels Hiwa K Hotel Pro Forma Imitating The Dog immersive intervention Jérôme Bel Junnosuke Tada Kira O'Reilly La Fura dels Baus lecture performance Liu Chengrui London Lone Twin María José Contreras Lorenzini memory Michael Pinchbeck Mike Pearson Mohammad Aghebati Monster Truck Needcompany New Art Club Oblivia Oliver Frljić Ontroerend Goed Padmini Chettur participation Patricia Ariza performance Peter Sellars politics protest public space Punchdrunk Quarantine Reckless Sleepers Ridiculusmus Rimini Protokoll Sankar Venkateswaran Serbia Shirotama Hitsujiya Shunt Silvia Mercuriali Silviu Purcărete site specific Sleepwalk Collective Socìetas Raffaello Sanzio space stage Tammy Brennan Tania Bruguera Tess De Quincey The Builders Association theatre theory Third Angel Tim Crouch Toshiki Okada Ultima Vez Unlimited Vincent Dance Theatre Wendy Houstoun Xing Xin