Symposium version of a collaborative performance project on disability and African-American culture.
| Reference | D1315 |
|---|---|
| Date | 2008 |
| Type | DVD |
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg.49-57
Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.
Performance Research Vol 6. No. 1. Spring 2001
Departures
The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.
Reviews : All Over the Map
A Review of ‘A Woman Who…Essays, Interviews, Scripts’ Yvonne Rainer
by Claire MacDonald
pp. 121 – 123
shado Issue 2 : Global Womxnhood
Feature on poet and performer Tolu Agbelusi.
shado Issue 02: Global Womxnhood
Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
This article presents the research and performance practice behind ‘The Performing Solidarity Project’.
Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg173-174
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg9-10
DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19