` Two plays by Russell Barr.
After someone threw a burger at them and shouted a transphobic slur, performance artist Travis Alabanza became obsessed with burgers.
Part of Library of Performing Rights (P3041).
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
Celebrates whales in verse and photographs, and in an anthology of prose writings from the worlds of science and literature.
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
This first volume of ‘Performance Art’ is the personal story of Jeff Nuttall’s life in the arts, especially in performance work: amusing, polemical and controversial.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Arts Council England, Promoting Diversity: Culturally diverse theatre companies – a resource for programmers.
Programme of the homonymous Franco-British season of performing arts.