Programme for a series of events in London, 2013, with corresponding reading lists.
|Artist / Author||Various|
|Publisher||Arts Council England|
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Focuses on the intersection of social and public projects, and the possibilities of art practice in public space.
Part of Library of Performing Rights (P3041)
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
Four books published as part of STRONG LANGUAGE, published by Tim Etchells:
M John Harrison: Real Dreams
Courttia Newland: That Small Death
Joolz Denby: Dandelion
Selina Thompson: 12 Race Card Answers
How-to guide for people looking to make a stand. Included are solid pieces of advice, practical tips and inspirational stories from those who have already successfully stood up and made a difference.
Part of the Library of Performing Rights (P3041).
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
Drawing threads from the meta to the micro level inevitably leads to a conversation about power – who has it, who doesn’t, who should have it, how it is adjudicated. TransActions #2 picks up on this context and sets out to pose questions for the field of socially-engaged art and education practice in 2017.
Inquires into the contemporary moment through the lens of Roma artistic and intellectual practices, gathering knowledge from the Roma way of life.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Pandering to the real or imagined demands of private finance distorts the art world, silencing dissent and stifling politically or socially engaged art in favour of consensus and what is known in the trade as 'investment grade art'.
Article compiled from the artistsineastlondon.org (on 14/5/2008).
Found in miscellaneous article folder #5B
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Publication for the Bedfellows event, Late at Tate Britain, 1st April 2016.