Regina José Galindo

Documentation from an online lecture by Ron Athey on Penetration in Live Art and Video. This lecture formed part of LADA’s 2020 Summer Programme.

Penetration – be it bodily, spiritual or sexual – is a recurring motif in Ron Athey‘s work. In this lecture, which comes as he begins work on a new project, Athey will explore the artistic potential of the contemporary post-porn movement in relation to his practice.

Video documentation of an online artist conversation with  Rosalind Fowler, Isik Sayarer and Eva Knutsdotter  in December 2021. This conversation followed an online screening of BREADROCK, I feel like doing this, a film by artist collective Fourthland (Isik Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler.

BREADROCK, I feel like doing this is a visceral homage to cultural history, memory and universal myth.  Melding experimental and ethnographic filmmaking, the work presents a series of staged vignettes drawing on the rituals and artefacts of the Estate’s Bangladeshi, European, Kurdish, Serbian, Turkish, Ugandan and West Indian communities, to create new kinships, myths and culture.

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

Part of ‘series of rituals practicing ways to dialog with the natural world’ by Fernanda Branco, MA in Performance Norwegian Theatre Academy//Østfold University College.

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.

Structural Violence seeks to redraw the conventional map of violence against women. In order to understand violence as a fundamentally heterogeneous phenomenon, it is essential to go beyond interpersonal partner violence and analyse the workings of institutional and structural violence.

Issue No 4 of Substanz featuring text and drawings by Saskia Edens.

This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.

Text in French and English.

Kindly Donated for the Swiss Live Art Study Room Guide.

Photographs of the work of Cécile Feilchenfeldt in collaboration with Elaine Rutishauser.

Text in German.

Kindly donated for the Swiss Live Art Study Room Guide.

A collection of essays on the artist Pascale Grau with dvd of Single-Channel Videos 1994-2008.

In German and English.

Kindly donated for the Swiss Live Art Study Room Guide.

“Writing the body with the body” consists of fragments taken from performance texts by Stefanie Knobel, which are juxtaposed with a series of pictures created for this volume

Kindly donated for the Swiss live Art Study Room Guide.

Documentation of the event marking the end of Restock, Reflect, Rethink Four, a project about Live Art and Cultural Privilege.