This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
Artist / Author | Aine Philips and Vivienne Dick |
---|---|
Reference | D1761 |
Date | 2010 |
Type | DVD |
Photographs of the work of Cécile Feilchenfeldt in collaboration with Elaine Rutishauser.
Text in German.
Kindly donated for the Swiss Live Art Study Room Guide.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
A companion book to the performance by Once We Were Island.
Examines fandom as a set of practices for approaching and writing about art.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Eight issues of the interview zine about performance.
From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.
Part of the Library of Performing Rights (P3041).
Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.
Part of the Library of Performing Rights (P3041).
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
A critical paper: towards an understanding of ethno-graphy.
In misc folder 7.