With texts by Victor Burgin, Rosalind coward, John Forrester, Rosemary Gordon, Mary Kelly, Julia Kristeva, Toril Moi, Laura Mulvey, Kathy Myers, Riccardo Steiner.
| Editor | Lisa Appignanesi |
|---|---|
| Publisher | Institute of Contemporary Arts |
| ISBN | 905263006 |
| Reference | P2017 |
| Date | 1984 |
| Type | Publication |
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Examines fandom as a set of practices for approaching and writing about art.
Seeking to overthrow all constraints on what can be done with and to the body, Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire.
Fourth edition of the journal of sexuality and erotics.
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.
Part of the Library of Performing Rights (P3041).
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
Genesis has selected h/er unseen and personal photographs to illustrate h/er journey of life as continuous creativity.
Limited edition; 352 / 1323. In glass cabinet.
A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.
Asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation.