Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
Includes a document with translations and the following performances:
1. En un fist fast
2. La caida del ser
3. Vigilia sex
4. Varios perfos expo
5. De docta ignor lombrices
6. De docta ignor desentarrarme
7. Pepafono 3 versiones
8. Ponme la mano aquí macorina
9. Sea anemone and the hermit crab
10. Embajadora de la buena voluntad
11. ¡Ah no!
12. Violence and tenderness
13. Cagandola a diestra y siniestra
14. Sweet sixteen
15. Times goes by and I can not forget you
Exhibition catalogue. Installation concerned with the voice of the individual victim in war.
Part of Library of Performing Rights (P3041)
Catalogue published in conjunction with an exhibition at the Art Gallery of York University, September 6 – October 1, 1989.
Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Part of Library of Performing Rights (P3041).
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Catalogue which accompanies films exploring the social, political and psychological dimensions of women's experience in contemporary Islamic societies.
Part of Library of Performing Rights (P3041)
Doon Mackichan wanders, falls, swims and loiters with a few of the women making walking art. 8 October 2018.
A single row of audience members around the edge of a performance space A curtain sometimes running across it cutting the space (and the audience’s view) in two. In glass cabinet.
Engages the virtually invisible subject of older women in western culture.
Part of Library of Performing Rights (P3041)
Sheds light on a range of practices in the area of contemporary performance in Australia.
Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.
Part of Library of Performing Rights (P3041)
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
Provides a survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement.
Part of the Library of Performing Rights (P3041).
The first book of the women’s liberation movement to put forth a feminist theory of politics.
A 50-year retrospective of the sculpture of the pioneer feminist performance artist who explores and dissolves the boundaries between art and life.
A portable archive that features Montano’s journal writings during 1984-1998, 18 of her ecstatic tantric tales, 52 of her drawings, 119 photo documents related to her performances, 13 essays and interviews by art historians, curators and writers.
Part of the Library of Performing Rights (P3041).
Newspaper created and published through the four-day programme exploring the interconnections of art, activism, performance, politics, health and print.
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
Reframes Live Art practice, adopting the handy neologism gen-age, to describe the intersection of gender and age.
Part of the Library of Performing Rights (P3041).
Develops a three–part definition of xenofeminism grounded in the ideas of technomaterialism, anti–naturalism, and gender abolitionism.
Considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968, Solanas' text is reconsidered in Avital Ronell's introduction, “Deviant Payback: The Aims of Valerie Solanas”.
Review of the book published by LADA.
In misc. folder 7.
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive – and can the police deliver justice?
Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocio Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
A free survival guide for queer and trans* young people; by Scottee, Travis Alabanza, Selina Thompson and Emma Frankland.
Each essay shares two fundamental premises. First, that the oppression of gays and lesbians is not an isolated case, and therefore their struggle is necessarily part of a larger movement for social liberation. And, second, that the experience of gays and lesbians uphold the basic tenets of a foundational Marxism, and that they are uniquely placed to contribute to a revitalisation of Marxist theory.
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
Tells the incredible story of the emerging radicalism of the Gay Liberation Front, providing a vivid history of the movement, as well as the new ideas and practices it gave rise to across the United Kingdom.
Combining the energy of the early seventies feminist movement with the perceptive analyses of the trained theorist, this is one of the most influential socialist feminist statements of its time.
Examines an array of issues, including sex as a subversive activity, the “liberated orgasm,” sex advice literature, gender uncertainties, queer politics, anti-pornography campaigns and the rise of the moral right.
Explicitly addresses significant issues, such as the oppression of women and Eurocentric standards of beauty, the historical rise of the idea of whiteness, and the abridgement of democracy along race, class, and gender lines.
Shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work.
Provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World.
On performing feminist values for children.
How-to guide for people looking to make a stand. Included are solid pieces of advice, practical tips and inspirational stories from those who have already successfully stood up and made a difference.
Part of the Library of Performing Rights (P3041).
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
Rrelates the history of La MaMa through its performance posters, capturing the irreverence and the aesthetic of La MaMa over five decades.
The story of a housewife who delves into the underworld of domesticity.
A research into the genealogy of political practice among different feminist movements from the 1970s to the present in Europe and Australia, resulting in a six-element film installation and accompanying exhibition catalog/reader.
Brings Lorde’s essential poetry, speeches and essays, including ‘The Master’s Tools Will Never Dismantle the Master’s House’, together in one volume for the first time.
Part of the Library of Performing Rights (LPR) (P3041).
Arguing that traditional feminism is wrong to look to a natural, ‘essential’ notion of the female, or indeed of sex or gender, Butler starts by questioning the category ‘woman’ and continues in this vein with examinations of ‘the masculine’ and ‘the feminine’.
Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit
Exhibition catalogue. Locations and dates: Project Space Plus, Lincoln, UK (1 – 27 February 2018), Peltz Gallery, London, UK (10 May – 11 June 2018), Centre de Cultura Contemporània de Barcelona (CCCB), Spain
(4 – 28 October 2018), LABS Gallery Arte Contemporanea, Bologna, Italy (22 November – 15 December 2018)
Based on her widely praised performance piece Unicorn Gratitude Mystery, Finley’s book explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.
Part of the Library of Performing Rights (LPR) (P3041).