Catalogue > By Keyword > visual arts
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A Pathognomy of Performance
Stages an encounter between performance and philosophy to investigate notions of the event, ephemerality and democracy that have perpetually marked the engagement of thought and the theatrical.
The Space Between - Collected Writings
Collection of Michael Bracewell’s writing on art.
Mapping the Terrain: New Genre Public Art
A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).
Accion MAD 10
Documentation of the performances and presentations at Accion / Action MAD 10 festival in Spain. Participants: Joan Casellas (Barcelona), Catie de Balmann (Francia), Guiuseppe Dominguez (Madrid), Marco Teubner (Alemania), Ana Matey (Madrid), Edu Hurtado (Bilbao), Revista Efímera (Madrid), Ornic’Art (Francia), Christopher Hewitt (Reino Unido), El Gato con Moscas (Madrid), Fiacha O’Donnell (Madrid), Federico Guardabrazo (Madrid), Beatriz Hoyos y Sara Laguna (Madrid), Darío Buñuel Fanconi (Madrid), Borja Gómez (Madrid), Zhou Bin (China), Rubén Barroso (Sevilla), Elvira Santamaría (México), Anti Festival (Kuopio, Finlandia), Gaetan Rusquet (Bélgica), Sandra Johnston (Irlanda del Norte), María Cosmes (Barcelona), Sierra Centro Arte (Huelva), Adina Bar On (Israel), Gwendoline Robin (Belgica), Domix Garrido (España), 10×10+1 Acción, Bartolomé Ferrando, Fabien Montmartin (Francia), Rosa Mesa (Canarias), Ana Oliva Higueras (Castellón), Isidoro Valcarcel Medina (Madrid), Llorens Barber (Valencia), Antti Laitinen (Finlandia), Rosa Galindo (Canarias), Concha Jerez y José Iges (Madrid)
Accion MAD 08
Documentation of the performances and presentations at Accion / Action MAD 08 festival in Spain. Participants: jacques van Poppel (Paises Bajos), Iris Nava (Mexico/Madrid), Helge Meyer (Alemania), Veltet & Crochet (Madrid), Eugenie Kuffler (Francia/USA), Carlos Llavata (Valencia), Nieves Correa (Madrid), Ben Patterson (Alemania/USA), Denys Blacker (Reino Unido/España), Pere Noguera (Girona), Angie Dight (Escocia), Pancho López (México), Mary Brennan (Escocia), Joan Casellas (Barcelona), Paco Nogales (Madrid), Analía Beltrán (Madrid), Belén Cueto (Madrid), Nikki Milican (Escocia)
Accion MAD 09
Documentation of the performances and presentations at Accion / Action MAD 09 festival in Spain. Participants: Eva Pérez (Valencia), Ryszard Piegza (Polonia), Antonio Gómez (España), nna Kalwajtys (Polonia), Isabel León (Cáceres), Angela García (Valencia), Guy Sioui Durand (Canadá), Carlos Felices (Madrid), J.M. Calleja (Mataró), Catie de Balmann (Francia) María Marticorena (A Coruña) John G. Boheme (Canadá), Esther Ferrer (España), Monika GUnther y Ruedi Schill (Suiza) AC La Muga Caula (Girona) Kai Lam (Singapur), Fernando Baena (Madrid) Kurt Johannessen (Noruega), Nezaket Ekici (Alemania) Denys Blacer (Reino Unido)
Tomorrow Never Knows
A collaboration between Jerwood Arts and FVU in association with Centre for Contemporary Art, Glasgow and University of East London, School of Arts and Digital Industries.
Plataforma Carioca De Artes Cenicas / The Carioca Performing Arts Platform
Festival documentation. Text in Portuguese and English
Size Matters
Notes towards a better understanding of the value, operation and potential of small visual arts organisations.
Without You There Isn’t Anything
Patrick Ireland in an Interview with Gemma Tipton. See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.
Rights and Wrongs
Why the Smithsonian Institute has failed the basic tenets of a nation
A Requiem: Art on Top of the Battlefied
Exhibition at the Tokyo Metropolitan Museum of Photography, 2010.
