Returns to Satoshi Nakamoto’s canonical text on a peer-to-peer electronic cash system as a Rosetta Stone that reveals the far-reaching implications of decentralisation.
Focuses on the intersection of social and public projects, and the possibilities of art practice in public space.
Part of Library of Performing Rights (P3041)
Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.
Part of Library of Performing Rights (P3041)
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Provides a survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement.
Part of the Library of Performing Rights (P3041).
The first book of the women’s liberation movement to put forth a feminist theory of politics.
Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.
Brings the fields of performance studies and trauma studies together in conversation where they inform crucial themes such as trauma, testimony, witness, and spectatorship.