Catalogue > By Keyword > performance art
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M21 documentation
Documentation from the Live Art event by disabled artists in the birthplace of the modern Olympic Games, May 2012
Part of the Library of Performing Rights (P3041).
Performance in Contemporary Art
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
Antennae 10: A Decade of Art and the Non-Human 07-17
Since 2007, Antennae: The Journal of Nature in Visual Culture has been the international reference point of the non-human turn in the visual arts. This volume gathers the richest interviews and the most thought-provoking essays featured over its forty installments thus far published.
The Aesthetics of Disengagement: Contemporary Art and Depression
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
Performance: Live Art, 1909 to the Present
A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists’ manifesto-like events, the Dadaists’ cabarets, and later “happenings” and “spectacles.”
Filippos Tsitsopoulos “Is Art Lonely?” archive
Complete archive of Tsitsopoulos' “Is Art Lonely?” project, including artist CV; video of performance at LADA; curatorial texts; drawings; Is Art Lonely? (video), video and photo documentation.
In glass cabinet.
Concerning Consequences: Studies in Art, Destruction, and Trauma
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
Abramović Method for Treasures programme
Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
Psychoanalyst Meets Marina Abramovic: Artist meets Jeannette Fischer
A unique insight into the relationship between Abramovic’s biography and artistic work.
Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
