Catalogue > By Keyword > multimedia
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The Continuum: Beyond the Killing Fields
A performance script based on the life stories of Cambodian artists who survived the Khmer Rouge Regime.
Exercises for Rebel Artists
A series of crucial practical exercises to help create challenging theatre which transcends the boundaries of nation, gender, and racial identity.
Mamoru Iriguchi (CD)
Features an overview of Mamoru Iriguchi’s work and practice.
Mamoru Iriguchi (DVD)
Features documentation of pieces ‘Projector/Conjector’ (2011), ‘Into the Skirt’ (2010), and ‘Pregnant?!’ (2009).
Frogtopia Hongkornucopia
Catalogue published in conjunction with, Hong Kong’s exhibition at the 54th Venice Biennale, on view from 4 June to 27 November 2011. Includes artistic concept, curatorial statements, an essay by Ming Fay, and a dialogue between the artist and curators.
Down and Under, Up and Over: Animalworks by Sun Yuan and Peng Yu
Animalworks by Sun Yuan and Peng Yu.
Solo show: New Media Art
Aye Ko, Solo show: New Media Art, 2nd-8th November 2009, Lokanat Gallery Yangon
[email protected]
Documentation from the first international showcase of Danish performing art which took place 2-7 October 2006.
I Still Love,The Nunnery Gallery leaflet
Leaflet refers to Franko B’s exhibition of embroidered canvases at The Nunnery Gallery in Bow,includes an essay by Michele Robecchi ‘Untouchable – The Three-Dimensional World of Franko B’ 6 May – 5 June 2011.
d/rift
A pamphlet collecting work made as part of his Burn’ artist residency 2010/11 with the New Art Gallery Walsall.
ADS
Chelsea programme notes:In a world consumed by identity crises and at the same time dominated by advertising, how might a humble being begin to claim back space?Director Richard Maxwell: “ADS captures and refines questions I have been thinking about for a long time. What is presence? What does absence provide? What is it about performance that I like? What is it about people that I like? ” ADS offers participants an opportunity to publicly state their beliefs with one stipulation: Be sincere.”Boundary-pushing…suggests…you can create humane, affecting works of theater without the literal presence of human beings.” – Charles Isherwood, The New York TimesConceived and directed by Richard Maxwell for New York City Players
