Nothing In My Pockets is a sound diary, concieved for the Atelier de Creation Radiophonique de France Culture, kept between July and October 2003. An intimate journey into the artist's personal universe. 2 CD's are presented with previously unpublished visual and text documentation.
‘Performing Site-Specific Theatre turns a critical eye to the form of site-specific theatre, investigating the nature of the relationship between ‘site’ and ‘performance’. Contributors: Joanne Thompkins, Anna Birch, Michael McKinnie, Susan Bennett, Julie Sanders, Jane Collins, John Webster, Mike Pearson, Kathleen Irwin, Susan Haedicke, Lesley Ferris, Louise Owen, Keren Zaiontz, Bruce Barton, Richard Windeyer, Helen Iball, Sophie Nield
Four evolving walking-video experiments.
Photo-essay on the life of a building.
An exploration of trees in Paris, including text and drawing.
Publication to coincide with exhibition, 2013. This item is part of the Study Room Guide to Remoteness (P2600).
A collection of documents of works by Those Environmental Artists, including audience questionnaires, project descriptions and promotional material.
The Polis Series was an inter-disciplinary collaboration which explored questions about the performativity of knowledge. It hoped to critique and enact some of the ways in which knowledge is generated in terms of a poetics of the body in performance.
Essay commissioned by ArtsAdmin for Noemi Lakmaier’s piece ‘One Morning in May’. Located in Miscellaneous Articles folder 4.
‘Topos’ is a psychographic landscape manifested in singular hermetic worlds, portraits, rituals narratives, thought problems. Topos is a collaborative undertaking of artists as both non-experts and professional pragmatists.