Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
Editor: Buddies in Bad Times Theatre | Reference: P4177 | ISBN: 978-1-7775101-0-7 | Type: Publication
Canada’s longest-running new works festival is a hotbed of experimentation, where artists explore new possibilities in theatre, dance, music, and performance art.
In 2021, Rhubarb proposes an alternative: the creation of a physical performative publication that attempts to capture the energy of Rhubarb and, perhaps, recreate the live performance experience itself.
Over 20 artists respond to the prompt to bring performances to the page, with some projects published in the festival publication itself, and other interventions performed on the book after printing. Contributions range from colouring pages to a fever-dream drag performance; from a meal to music inspired by the turning of a page; and from choreographic scores to unearthed histories, real or imagined.
Artist/Author: The Institute for the Art and Practice of Dissent at Home | Reference: P4176 | ISBN: 978-0-9564165-5-1 | Type: Publication
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Artist/Author: Jade Montserrat, Jane Lawson, Industria | Reference: P4175 | ISBN: 978-1-9998994-4-8 | Type: Publication
Tender Order by Jade Montserrat, made with Jane Lawson and edited by Industria, centres ‘matters-of-care’, detailing aspects of self-care and the impacts to self-care made by environmental or socio-political frameworks.
Artist/Author: Guillermo Gómez-Peña | Editor: Emma Tramposch, Balitrónica Gómez, Elaine A. Peña, William Stark | Reference: P4170 | ISBN: 9780367219253 | Type: Publication
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.