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Stuart Brisley: Performing the Political Body and Eating Shit
Published on the occasion of the exhibition Stuart Brisley: Headwinds, MAC Belfast, 30 January-26 April 2015.
The Peterlee Project 1976-1977
Published on the occasion of Brisley’s exhibition State of Denmark at Modern Art Oxford, September-November 2014.
So Much Wasted: Hunger, Performance, and the Morbidity of Resistance
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
PSI#12 documentation
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
Conceptual Art in Britain 1964-1979
The book explores the textual work of Art & Language, Victor Burgin and others; the New Sculpture being produced by those such as Richard Long and Michael Craig-Martin; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.
On the occasion of the eponymous exhibition, April-August 2016.
Restless Images: The Feminist Performances of Rose Finn-Kelcey
Drawing on a range of archives, this paper focusses on two performance works, One for Sorrow Two for Joy (1976) and Mind the Gap (1980).
Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Butlers Wharf
Includes history background information and chronology of artists.
Found in miscellaneous article folder #6
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
The Basement Group
Artists’ events, projects and publications curated, commissioned and produced from December 1979 to the present day. Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Silent Explosion: Ivor Davies and Destruction in Art
Exhibition catalogue. In Welsh and English.
National Museum Cardiff, 14 November 2015 – 20 March 2016.
Pink Labor On Golden Streets - Queer Art Practices
The publication builds on an exhibition and conference at the Academy of Fine Arts Vienna that explored the contradictory standpoints of queer art practices, conceptions of the body, and ideas of ‘queer abstraction,’ a term coined by Judith Jack Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire. It is particularly concerned with where form and politics crossover, citing the various combinations, juxtapositions, and the play between artistic strategies.
