An interview with American artist Sharon Hayes
Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.
Offers a critical study of the intimate relations between performance art and media production in contemporary culture.
This book is a kind donation by Natasha Davis
Argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.
Part of the Performing Action, Performing Thinking edition.
In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Six of Tim Miller’s best known performances, documented, with scripts, “the sexual, spiritual, and political topography of his identity as a gay man…”
Footage of the 1994 Walker Art Center in Minneapolis performance.