Catalogue > By Keyword > AIDS
95 results | Page 7 of 8
Unlimited Global Alchemy
Limited edition catalogue, edited by Andrew Mitchelson and designed by David Caines, carries images of artworks, a DVD and texts.
But is it Art ? The Spirit of Art Activism
An anthology that explores the rise of activist public art that agitates for social change.
Glorious Catastrophe : Jack Smith, performance and visual culture
Detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDS-related death in 1989.
Magazine: 10 Live performance essays by David Hoyle
Duckie, Royal Vauxhall Tavern, full documentation of 10 critical performance/essays on: Celebrity (3 parts), Cookery (3 parts), Crime & Punishment (3 parts), Immigration (3 parts), Dogging (3 parts), Media Studies (3 parts), HIV unt AIDS (3 parts), The Women’s Issue (4 parts), Antiques Roadshow (3 parts), Alcoholism (4 parts). David Hoyle, includes video projections and live performance. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195). This item can be found in the locked glass cabinet.
Rights and Wrongs
Why the Smithsonian Institute has failed the basic tenets of a nation
love’s body: art in the age of AIDS
Catalogue to coincide with exhibition of the same name October 2 – December 5 2010 at the Tokyo Metropolitan Museum of Photography. Text in both Japanese and English.
I Miss You
The Bottom Project
Explores the body politics of movement.
The Scar of Visibility: Medical Performances and Contemporary Art
Examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life (self-help groups, community events, Internet sites), focusing on fantasies and “knowledge projects” surrounding the human body.
Diver: A Retrospective
Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone
Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.
