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| Artist / Author | Anna Best |
|---|---|
| Reference | V0631 |
| Date | 1970 |
| Type | Video |
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”
The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.
Edition 60/70
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
A report celebrating the successes of arts and cultural organisations in acting on national and international climate targets.
Examines fandom as a set of practices for approaching and writing about art.
Documenting words and stories found as part of a treasure trail through Bethnal Green’s gardens and growing spaces.
Includes: Pride (poem), Alter treego (poem), Fat Kid Manifesto (poem, extract from Fat Kid Running), Daring the City to Fall into it (poems + a short story), No guilt in Pleasure (zine)
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.