This catalogue was published as part of the exhibition “She’s a Tough old Broad – A Social History of Metro Arts”. Small catalogue in folder.
| Publisher | Metro Arts |
|---|---|
| Reference | P2062 |
| Date | 2009 |
| Type | Publication |
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
Examines fandom as a set of practices for approaching and writing about art.
Documenting words and stories found as part of a treasure trail through Bethnal Green’s gardens and growing spaces.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.
The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.