CIRCA (Contemporary Visual Culture in Ireland) See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.
| Artist / Author | Belinda Loftus |
|---|---|
| Reference | A0445 |
| Date | 1986 |
| Journal | CIRCA - The Religion Issue |
| Journal date | Jan-Feb 1986 |
| Journal page | 14-18 |
| Type | Article |
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
A discussion in 17 thematic segments. 53 minutes.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Explores fat activist language.
A heady brew of feminist critique of the art world and extreme body horror.
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Draws strength from conversations with the performance artist Ron Athey and readings from Illness as Metaphor, by Susan Sontag.
Please note that Queen Mary University of London holds the entire archive of the late artist.
A romantic exploration performance about love and human relationships.
Please note that Queen Mary University of London holds the entire archive of the late artist.