A leaflet from a 2002 exhibition featuring four legal “disclaimers” about the artwork and the gallery itself
| Artist / Author | Carey Young |
|---|---|
| Publisher | Henry More Institute |
| Reference | P0518 |
| Date | 2004 |
| Type | Publication |
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg69-75
This zine brings together writings and words from contributors who came together in the summer of 2018 at Bethnal Green Nature Reserve (BGNR) to think about and connect with soil.
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
This Zine was produced as an accompaniment to Playing With Fire- live reading from survivor writers- an online event on April 24th 2021 hosted by Live Art Development Agency.
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
Artists book accompanying the exhibition Tongue-tied at Matt’s Gallery, 2-24 November 2019.
The second volume of the landmark trilogy consent not to be a single being.
A transformative justice zine.
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the second issue, the topic is ‘suburb’.
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).