Reflections on the symposium hosted by Rajni Shah Projects and the Birkbeck Centre for Contemporary Theatre, London, 30 May-2 June 2013.
Artist / Author | Theron Schmidt |
---|---|
Publisher | Routledge |
Reference | A0587 |
Date | 2014 |
Journal | Contemporary Theatre Review |
Journal date | 2 May 2014 |
Journal page | 284-288 |
Type | Article |
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg9-10
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Reader for the lecture series from January to June 1996.
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Steirischer Herbst is an interdisciplinary festival for contemporary art. Since 1968, it has taken place annually in Graz and Styria, Austria, combining the visual arts, performance, theater, opera, music, and literature to varying degrees. This programme lists events during the 2016 edition of the festival.
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Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.
Vanishing Points is a new anthology of cultural criticism, focusing on the making, watching and conditions of Live Art and performance in the UK today. Vanishing Points is edited by Salome Wagaine, with deputy editors Ava Wong Davies and Ben Kulvichit, and designed by Chani Wisdom.
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