collected documents from the artist performance programme running throughout Art Licks Weekend 2013 called “Stop, Look, Listen!” – a series of performances held in public spaces across east and south east London taking work to audiences out of the gallery setting.
| Editor | Holly Willats |
|---|---|
| Publisher | Jerwood |
| Reference | P2551 |
| Date | 2013 |
| Type | Publication |
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Documenting words and stories found as part of a treasure trail through Bethnal Green’s gardens and growing spaces.
Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Eight issues of the interview zine about performance.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.
The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.