Artists Keep Themselves Occupied with a Day of Live Action

Video documentation of ‘Passion Play’, an event curated and presented by Daniel Oliver, in collaboration with Access All Areas and LADA, on 1st August, 2025 at The Garrett Centre.

Included in the footage is: performances by graduating and former students from Access All Area’s ‘Performance Making Diploma’: Bruno De Ceita Pedro, Jacob Dean, Claire Dunbar, and George Webb, an introduction from Oliver and Dean, and a Q&A.

The event was funded through the Royal Central School of Speech and Drama’s knowledge exchange funding.

This is a video file and includes closed captions. Filmed and edited by Claire Nolan.

An interview with Lois Keidan on the history of the Live Art Development Agency, recorded in 2019 to mark LADA’s 20th Anniversary.

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.

“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes

Designed and illustrated by Ishita Dharap.

shado Issue 4 : Youth

Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’  by Idman Abdurahaman.

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.

DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47

DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19