Asks pertinent questions about art, theatre and the changing meaning of ‘culture’ in today’s intercultural world.
Part of the Library of Performing Rights (LPR) (P3041).
The Fevered Sleep project brings together adult, male professional contemporary dancers, and girls who dance for fun. This publication includes pieces by people who live and work in each city the project is recreated in. It is a collection of creative writing on the themes of the project, such as love, empathy and trust.
Kaprow’s sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.
Drawing primarily on the Western dramatic canon, on contemporary British theatre, on popular culture, and on paratheatrical practices, the book investigates theatrical engagement with aging from the Greek chorus to Reminiscence Theatre.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
This video for camera was made at home with the artist's one year old son: he is invited, or given reason, to interact with household, domestic, materials – in isolation and removed from some context.
12 minutes.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
A journal of a forty something mother/artist with two sons aged 5 and 13.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
This article considers a constellation of works the artist Kira O’Reilly has created in residencies in biology laboratories over the past several years.
This first volume of ‘Performance Art’ is the personal story of Jeff Nuttall’s life in the arts, especially in performance work: amusing, polemical and controversial.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Essays on live art in galleries.
A record of some of the most important performative ideas and embodied interventions that have shaped queer culture and theatre and performance practice in Ireland in recent times, principally in the years following the decriminalization of homosexuality in. 1993, up.