Nando Messias engages with representations of effeminate men and the queer body.

6:15

A collection of filmed work, celebrating the 30th anniversary of Troubleyn. Contains 17 DVDs and a 48 page booklet.

English and French subtitles.

Contains: Jan Fabre beyond the artist (documentary, 52′);  Le pouvoir des folies théatrales (257′), Drugs kept me alive (73′),  Preparatio mortis (51′), Les années de l’heure bleue (documentary, 32′), Prometheus Landscape II (94′), Pietas (documentary, 26′), Orgy of tolerance (103′), From the feet to the brain (documentary, 26′), Requiem for a metamorphosis (116′), Jan Fabre au Louvre (documentary, 47′), Another sleepy dusty delta day (56′), L’histoire des larmes (101′), Quando l’uomo principale è una donna (51′), Je suis sang (93′), My movements are alone like streetdogs (33′) + additional content

The artist ’s most audacious, ambitious and large-scale live work to date, combining improvised performance with live streaming technology, video and random interactions with audience members.

The Southbank Centre and Toynbee Studios (2014).

46′

This video was part of LADA Screens, and was available online from 9 September 2015 to 30 September 2015

Immersive theatrical experience exploring the complex and ambiguous relationship with water. In collaboration with Mike Brookes, Minty Donald, Rob Drummond, Ira Mandela Siobhan, Jane Mason, Nick Millar and Nichola Scrutton.

18 October 2012 at Govanhill Baths. 52 minutes.

One-to-one promenade performance that spread across unused spaces in The Arches, a multi-use performance space in Glasgow. Howells led participants in a journey through fourteen sites and 'confessed' to them an autobiography.

Arches Live, 2007.

68 minutes.

Four monologues, interspersed with game-show antics requiring audience participation.

53 minutes. Unknown date.

Report from the event held on Friday 29 January 2016.

This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.

In misc folder 5A.

Publication for the Bedfellows event, Late at Tate Britain, 1st April 2016.

Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves would have recounted it.

This book contains the narrative text of those ten oral histories in both English and spoken Arabic, as well as an an introduction by the artist, and illustrations of the audience experience in Gardens Speak.

A publication where the work Fabião has been developing in the streets since 2008 acquires a new dimension. Containts extensive photographic material and writings by the artist and original essays.