Catalogue > By Keyword > marginalisation
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Art As Social Practice A Critical Investigation Of Works By Kenneth A. Balfelt
The publication looks at a number of vigorously debated collaborative projects undertaken over the past twelve years in and outside Denmark by artist Kenneth A. Balfelt. It contains both introductions to five projects, interviews with the people involved in the projects and finally four essays trying to reflect on the impact of these kinds of artworks.
Daring to be Present: An Interview with Carlyle Reedy
The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.
Posporno Latino
Digital documentation. Mexican performance artist Felipe Osornio aka Lechedevirgen Trimegisto screening programme of artists working in the contemporary Latin-American scene in relation to Postporno, gender and sexuality, presented on Wednesday 8 April 2015, in the LADA Study Room.
Beautiful Progress to Nowhere
Article about disability arts.
What Keeps Me in the Ghetto?
Whilst it might be desirable to have named a category…
Short text on the idea of disability arts.
The Disability Paradox: Ghettoisation of the Visual
Davis argues that if disabled artists deal with disability in their work, it will be seen as narrow or lacking universality, but if the art does not deal with disability, the artist’s disability will become irrelevant.
Disability Arts: From the Social Model to the Affirmative Model
An Introduction to the Essays in Parallel Lines
Aaron Williamson, An Introduction to the Essays in Parallel Lines, by Colin Cameron (A0482), Lennard J. Davis (A0481), Ine Gevers (A0480), Joseph Grigley (A0479), Georgina Kleege (A0478), Juliet Robson (A0477), Yinka Shonibare (A0476).
The Book of Blood - Performing Rights Glasgow (12)
Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights. Disc 3 of 3, see REF. D1092/D1094. Documentation from the National Review of Live Art 2008.
The Book of Blood - Performing Rights Glasgow (11)
Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights. Disc 2 of 3, see REF. D1092/D1094. Documentation from the National Review of Live Art 2008.
