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[TAPE] 2b

Artist/Author: Che Kevlin | Digital Reference: EF5206 | Type: Digital File

Armed with nine 1970’s tape recorders, Kevlin delivers a laboratory solo that revisits several unfinished conversations with himself.

Unti 24 gallery, 11 January 2015.

22:42

The Dinner Party Revisited

Artist/Author: Katherine Araniello | Digital Reference: EF5205 | Type: Digital File

The artist ’s most audacious, ambitious and large-scale live work to date, combining improvised performance with live streaming technology, video and random interactions with audience members.

The Southbank Centre and Toynbee Studios (2014).

46′

This video was part of LADA Screens, and was available online from 9 September 2015 to 30 September 2015

Motherhood and Live Art

Editor: Lena Simic and Emily Underwood-Lee | Reference: A0647 | Type: Article

Report from the event held on Friday 29 January 2016.

This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.

In misc folder 5A.

Agora Collective documentation

Editor: Agora Collective | Reference: P2940 | Type: Publication

Includes:

Model Behaviours publication (AFFECT module I); in English; 2014

Mit freundlichen Gruessen exhibition catalogue; in German; 2013

promotional postcards; in English; 2014

Provinciality and the art world: the Midland Group 1961–1977

Artist/Author: Hannah Neate | Reference: A0649 | Type: Article

This paper focuses on the Midland Group Gallery in order to make a case for the consideration of the geographies of art galleries, highlight the importance of galleries in the context of cultural geographies of the sixties, and discuss the role of provinciality in the operation of art worlds.

In misc folder 5A.

D.I.Y Too

Editor: Robert Jude Daniels | Reference: P2874 | ISBN: 978-1907852367 | Type: Publication

A new book about “do it yourself” performance, with contributions made by over 30 arts practitioners and collectives. It’s a sequel of sorts – or rather; a continuation – to a recent text that platformed a growing community of voices in theatre, art, dance and performance making.

Audience Participation in Theatre: Aesthetics of the Invitation

Artist/Author: Gareth White | Reference: P2865 | ISBN: 978-1137354631 | Type: Publication

This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.

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