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Catalogue > By Keyword > identity

513 results | Page 45 of 52

Contemporary Theatres in Europe

Editor: Joe Kelleher and Nicholas Ridout | Reference: P0805 | ISBN: 0-415-32940-X | Type: Publication

Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe.

Handle on Nowhere

Artist/Author: Deej Fabyc | Reference: P0811 | ISBN: 978-0-9553829-0-1 | Type: Publication

Autobiography

Artist/Author: Barbara Steiner and Jun Yang | Reference: P0764 | ISBN: 0 500 93005 8 | Type: Publication

Various artists works included.

Performance and Performativity in German Cultural Studies

Artist/Author: Carolin Duttlinger, Lucia Ruprecht, Andrew Webber (eds) | Reference: P0758 | ISBN: 3-03910-150-1 | Type: Publication

Article by Cathy S Gelbin on Tanya Ury – Metaphors of Genocide: The Staging of Jewish History and Identity in the Art of Tanya Ury (p221-240)

Inverted Odysseys

Artist/Author: Claude Cahun, Maya Deren, Cindy Sherman | Editor: Shelley Rice | Reference: P0056 | ISBN: 0-262-68106-4 | Type: Publication

Green Apocalypse

Artist/Author: Luther Blissett and Stewart Home | Reference: P0754 | ISBN: 1 871593 666 | Type: Publication

A4 pamphlet/magazine style.

One Place After Another - Site-specific Art and Locational Identity

Artist/Author: Miwon Kwon | Reference: P0739 | ISBN: 0-262-61202-X | Type: Publication

The Art Strike Papers/ Neo-ist Manifestos

Artist/Author: Stewart Home | Reference: P0745 | ISBN: 1-873176-15-5 | Type: Publication

The Art strike Papers collects accounts and papers relating to the Art Strike International action and propaganda during the period 1990-1993. The Neoist Manifesto is a series of texts on the Generation Positive, Karen Eliot, Cantsin, Neoist Network, as well as poems by S. Home

Carnal Art, Orlan’s Refacing

Artist/Author: C. Jill O'Bryan | Reference: P0732 | ISBN: 0-8166-4323-7 | Type: Publication

Considers how the artist’s ever-fluctuating reconstructions of her face question idealized beauty and female identity, persuasively arguing that Orlan’s surgically reinvented face succeeds in both reinforcing and breaking apart corporeal subjectivity and representation.

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