*currently unavailable*
Various issues, 2009-2016 + two flyers.
Introductory note to the exhibition held at Museo Nacional de Arte Reina Sofia, 25 October 2012 – 11 March 2013.
This Article can be found in miscellenous folder 5B.
Generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, this book presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in “psychogeography” to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties.
Includes DVDs, programmes, flyers. In two folders.
Includes: Icing (Oval House, 1978), Circus Lumiere, Abduction (ICA, 1992), Beauty and the Beast (1983), Paradise (ICA, 1989), Panic I, (Camden Music Festival, 1987), Panic II (Gardner Cente Brighton, 1987), Vulture Culture (Brisbane, 1987 and Henley Festival, 1984), Special Forces (Oval House, 1976), Jean Pool (1979) , War Dance (Nottingham Castle, 1989), Deadwood (Kew Gardnes, 1986), Senseless (ICA, 1983), Brightside (1984), Dinning with Alice (1999 and 2011), Fifty-Five Years of the Swallow and the Butterfly (Penzance, 1990), Glazed (Chapter, 1979), Giants (Birmingham Arts Lab, 1979), Entertaining Strangers (Lyric Hammersmith, 1986), Slips (1981), Son of Circus Lumiere (Edinburgh Festival, 1982), Why is Here There Everywhere Now? (Riverside Studios, 1991), Heart of Ice (The Place, 1987), String of Perils (Albany Empire, 1980), The Appeal (Channel 4, 1982), Tip Top Conditions (1981 and 1988), Dogs (Oval House, 1976)
Published to mark the 20th century of the Arts Catalyst, this article showcases some of the institution’s landmark projects. In misc folder 5A.
In Spanish and English. Compilation of texts and graphic records of artistic projects and interventions that were carried out from 11 to 13 June 2003 , in different parts of Mexico City.
The first major book on the more than 20-year history of Beaconsfield, an important artists association in London founded by two trained painters David Crawforth and Naomi Siderfin.
This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.
This first volume of ‘Performance Art’ is the personal story of Jeff Nuttall’s life in the arts, especially in performance work: amusing, polemical and controversial.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
This publication charts the the evolution of the relationship between teachers and students, which in turn highlight an alternative way of viewing society.