Performance Film Installation is a new publication designed to mark five years of solo and collaborative performances, films and installations by Natasha Davis, and coinciding with the London premiere of Internal Terrains at Chelsea Theatre as part of Sacred. A diverse range of authors and artists have generously responded to an invitation to provide insights into various aspects of Natasha's practice.

This publication brings together four ways of looking at Glorious, and includes: a short film made in response to six performances of the show; a music video shot in and around Lancaster and Morecambe; a critical overview of the process behind two iterations of the project; and The Glorious Storybook, a collection of essays and images from throughout the process.

Part of the Library of Performing Rights (LPR) (P3041).

The first historical and theoretical overview of socially engaged participatory art, known in the US as ‘social practice’. Follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic.

Includes: Weaveair (2000); Creatures (1998); Octopus at the Shoreditch Gallery – London (1995 – 2000); M Groisman Dance Co (1997); Transference (1999)

Kalb weaves his impressive historical knowledge of theatre into detailed descriptions of marathon productions he has seen and studied.

Contemporary live art showcase including performances from the UK, USA and Spain.

Documents the group’s work across this six-year period. In addition to many video edits that have not been seen before, each video has an alternative audio track featuring interviews by Mel Jordan, Ilana Mitchell, Daniel Oliver, Stuart Tait, Sally O’Reilly and John McGrath. In these interviews members of Reactor (past and present) discuss each project, or aspects of the groups practice that impacted on a project in a particular way.

An unconventional participatory performance.

A collection of video documents from Here, Now DIY Depot, an interactive performance event curated by Panther, (Madeleine Hodge and Sarah Rodigari) and featuring artists from around Australia who make work outside traditional theatre contexts.