Catalogue > By Keyword > audience
338 results | Page 23 of 34
Pod 3
Pod3 is an experimental performance installation developed over four days by participants of the Awakenings Festival in collaboration with Back to Back Theatre. Running time 5 minutes.
Small Metal Objects
Designed to be performed in a sheltered outdoor civic space, Small Metal Objects seeks to realise the inner realm and simultaneously re-interpret the exterior urban environment as a new performance landscape. Running time 45 minutes.
Brian Conolly, Artist’s Collection
Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.
herbst: Theorie Zur Praxis
herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.
A Pageant of Great Women
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
Vindication and Wollstonecraft Live!
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
The Wollstonecraft Live Experience!
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs. Includes DVD
The Society of the Spectacle
In French with English subtitles. The Society of Spectacle was written and directed by Guy Debord based on his book of the same name. (Simar Films, 1973). 89 minutes.
The Most Beautiful: 20 Years of Architects of Air
Architectes of Air build Luminaria – monumental installations designed to generate a sense of wonder at the phenomenon of light. Drawing on the influences of traditional architecture, natural and geometric forms, company founder, Alan Parkinson, designs huge pneumatic environments that tour the world.
Imagining the Audience: Viewing Positions in Curatorial and Artistic Practice
How do artists and curators imagine the audience in their work? How do they weave a picture of the individual viewer’s mental, physical, and emotional experience into the production of art events and what impact do these conceptions have on the finished artworks or exhibitions? Which new perspectives are useful in explaining the changes that have occurred in the art field and the concomitant new viewing positions? These are some of the questions that are the basis for Imagining the Audience.
Text in Swedish and English.
