Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.
A special edition of the Cooper Gallery periodical: a complexity of perspectives and positions by artists, curators and writers are brought together reflecting on and interrogating the necessarily shifting nature of identity and its other.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
On group practice, space making in rehearsal, working with directors/actors.
A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.
A performance by of the UK’s most ‘genuinely terrifying’ artists.
This video was part of LADA Screens, and was available online from 15 – 29 July 2015.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
An evening considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely. Inspired by the acquistion of the Ian Hinchliffe archive by Queen Mary.
16 November 2017
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
This video was part of LADA Screens, and was available online between 12 and 26 October 2015.
A collection of secret stories exploring sexuality, vulnerability and desire, taken from interviews with butches, masculine women and gender rebels living worldwide.
Part of the Library of Performing Rights (P3041)
Exhibition Catalogue. Cambridge Darkroom, 1993.
Books, catalogues, flyers and posters by PAErsche Action Lab (2010-)
In the oversize cabinet.
Exhibition catalogue. Attenborough Arts Centre, 10th May – 14th July 2019.
Part of the Library of Performing Rights (P3041)
Made and published on the occasion of Artsadmin's 40th birthday.
Documenting more than seven years of social practice and research by Lucy Wright.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
Documentation from the fully functioning public library housed in a wooden cabinet the size of a small suitcase.
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
A publication documenting the first 40 years of Artsadmin.
How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?
Part of Library of Performing Rights (P3041).
Publication documenting the 18 months in which Ann Bean left London and settled in Newark-on-Trent, creating a different, unfamiliar life structure.
Accompanies the performance and exhibition Four Legs Good, Compass Festival, 17-25 November 2018.
Project publication, documenting the series of temporary audio (and video) installations made for the site of Orford Ness on the Suffolk coast.
A booklet which accompanies the solo exhibition of the artist, who during this section sat the last section of Visual Arts exam for the Hong Kong Certificate of Education Examination (HKCEE) due to the upcoming reform in exam mechanism within the education system in Hong Kong. She obtained a grade D.
In Chinese and English.
Catalogue published in conjunction with an exhibition at the Art Gallery of York University, September 6 – October 1, 1989.
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Zamek Wyobrazni / Castle of Imagination festival programme 1- 3 June 1995.
Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)
Catalogue of the Bath Festival Exhibition 1991, 24 May – 1 July 1991.
Publication celebrating the 20th anniversary of the festival of emerging practices. In French.
A collection of postcards with artist photos taken by Revell.
WUK publication introducing programme shown between March and June 2019. In German and English.
The pages of Emergency INDEX are open to all who work with performance. In each annual volume, contributors document works made in the previous year. Vol. 7 presents 260 works from 51 countries performed during 2017, documented in the words of their creators.
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Exhibition catalogue: 3 June – 17 July 2004, Hauser & Wirth London
Includes three DVDs: an verview of the company's philosophy, extended interview with the artists, and a resource pack. In the glass cabinet.
Captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s.
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
Explores performance art through live manifestations and reiterations in photographs, film and video.
A portable archive that features Montano’s journal writings during 1984-1998, 18 of her ecstatic tantric tales, 52 of her drawings, 119 photo documents related to her performances, 13 essays and interviews by art historians, curators and writers.
Part of the Library of Performing Rights (P3041).
Charts a year at John Hansard Gallery in Southampton and the experience of communities forming in and around changing gallery spaces.
Festival programme, 30/4 – 5/5 2012.
Explores how video art addresses the interplay between external reality and internal states of mind. Exhibition catalogue; Virginia Museum of Fine Arts, January – August 2002.