Surveillance Spectacles: The Big Art Group’s Flicker and the Screened Body in Performance
Notes
This article analyzes the question of where the dominant mode of production lies – on the screen, where action and a singular character identity cohere, or behind the screen, where the embodied difference of the actors is continually prioritized.
| Artist / Author | Jason Farman |
|---|---|
| Reference | A0262 |
| Date | 2009 |
| Journal | Cont Theatre Review |
| Journal page | 181-194 |
| Type | Article |
