How to Let an Artist Rifle Through Your Archive

Nuidey is a short film made on an iPhone. It depicts three middle-aged queers, two of them fat, dancing in the Western Isles in slow motion in June 2024. They are naked.

There is a soundtrack of twangy music and reflections by the performers, which are subtitled. The reflections concern the place, light, rationale; fat subjectivity; what it is to be seen in real life and online; illness and decision-making. The conversation is intimate, the performers know each other well.

The film was conceived of and made by Charlotte Cooper as an expansion of her book Fat Body Work (2025 33editions).

The film was screened as part of Live Art Bookshop: Fat Body Work Launch at LADA on Wednesday 29 October 2025.

F A U L T L I N E S (2022) is a performance video from SITE, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

cock~salt (2025) is a performance to camera by Claye Bowler, screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

An online event to celebrate the launch of artist and writer Tara Fatehi Irani’s new book Mishandled Archive, published by LADA. Hosted by Rachel Mars, the event features an excerpt from Tara’s performance of Mishandled Archive with Pouya Ehsaei, a performative presentation by Diana Damian Martin, Mary Paterson, Jemima Yong, Maddy Costa and Holly Revell and special appearances by Giulia Palladini and Joe Kelleher.

Writer and academic Dominic Johnson hosts a rare UK appearance by the US (French based) artist Skip Arnold. They screened a selection of Skip’s videos and other documents, and discussed the body, duration, intervention, commitment, and documentation.

A visual diary zine of the Chines photographer SickGirl’s (@eeriesickgirl) Exile Route between 25 Dec 2023 and 16 Nov 2024.

Based on The Search for Power lecture-performance, this book contains the performance script, designed archival documents, and reflections by the collaborating artist and historian.

Research Highlights: Documenting and understanding experiences of backlash currently being received against LGBTQIA+ cultural programming and/or creatives in the UK’s cultural sector from 2020-2025.

All about Chinese feminist Queer diasporic sisters and publications. Pubis Magazine #2

Sonia Boyce (b.1962) is a groundbreaking artist whose practice is founded on taking creative risks. Unafraid to play against set expectations about how art should behave, her collaborative interactions between audience and performer enable spontaneous and intimate social encounters, resulting in the creation of work that is simultaneously self-aware, visceral and open-ended.

This book is a much-anticipated introduction to the life and work of this extraordinary artist. Touching on her engagement with the work of other feminist artists and her time as a leading figure in the 1980s Black British Art movement, it contextualizes Boyce’s journey from her early pastel drawings and collages to her pivotal shift to film, sound, and performance art. Highlighting her artistic innovation as she experiments with medium to explore and question culture, identity and the boundaries between the public and private spheres in unexpected ways, it celebrates the visionary practice of a truly uncompromising artist.

A 5ª edição do Festival Imaginários Urbanos foi uma realizaçao da Plataforma Imaginários com apoio institucional do Instituto Juvenude Inovaçao, Rede Juv, Instituto Mirante de Cultura e Arte, Pinacoteca do Ceará, Estação das Artes, Instituto Dragão do Mar, Theatro José de Alencar, CineTeatro São Luiz, Hub Cultural Porto Dragão, Centro Cultural Dragão do Mar, além do parceria com Espaço Chão, Bela Maré e Observatório de Favelas.

This publication is in Portuguese (Brasil).

Accompanying a major exhibition opening in spring 2017, this stunning volume offers an unprecedented glimpse across five centuries of historic costume and glamorous fashions worn by members of the Cavendish family, from the eighteenth-century fashion leader Georgiana, Duchess of Devonshire, to the twenty-first-century supermodel Stella Tennant.

Chatsworth has been home to the Cavendish family and the hereditary dukes of Devonshire since the original Elizabethan house was built on the site purchased by Sir William Cavendish in 1549. A famous historic house in England, Chatsworth is renowned as much for its fashionable history as its majestic dresses and tiaras, its magnificent lace and splendid uniforms as its unrivalled collection of art, its palatial gardens, and its celebrated family dynasty. House Style: Five Centuries of Fashion at Chatsworth takes the reader through images of show-stopping ensembles by the most celebrated designers of the day, from the Victorian era’s Jean Philippe Worth to Alexander McQueen, and also features historic examples of ceremonial, military, court costume, fancy dress, and estate liveries, as well as clothing worn by members of the family to ride, hunt, shoot, and fish. New images of the rare surviving garments and gorgeous contemporary photographs are accompanied by new essays from leading historians and fashion critics. An exclusive invitation into the glamorous world of Chatsworth, this book is a true collectible for Anglophiles, fashion-history aficionados, and those fascinated by aristocratic style.