Fusing Arts, Culture and Social Change: High Impact Strategies for Philanthropy

Notes

Report from the National Committee for Responsive Philanthropy.

This article can be found in the Miscellaneous Articles 3 Binder.

Artist / Author	Holly Sidford
Publisher	National Committee for Responsive Philanthropy
Reference	A0496
Date	2011
Type	Article

Keywords

Similar items

Sonia Boyce: Reclassifying Classification

Artist/Author: Nizan Shaked | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0934 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.

artist identity black identity British-Caribbean diaspora cultures conceptual art cultural identity drawing family legacy feminism gender politics identity national identity Nizan Shaked Sonia Boyce video visual art

Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26 / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

art Art Review collaboration duo Elmgreen & Dragset fashion Inconvenient Truths Ingar Dragset installation Marcus Verhagen Michael Elmgreen performance art politics Scandinavian artists sex society visual art

Fatimah Asghar

Artist/Author: Fatimah Asghar, Sabba Khan, | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0924 | Type: Article

shado Issue 02: Global Womxnhood

Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.

East London Fatimah Asghar Hannah Robathan identity Isabella Pearce Leyla Hussein London poem poetry Sabba Khan shado South Asian Community

Not so Green Capitalism : Disobedience Against Artwashing

Artist/Author: Fossil Free Culture NL | Editor: Mike Pope, Noëlie Audi-Dor, Amit Singh | Reference: A0922 | Type: Article

Article in Consented Issue 9 : Environment

arts funding Artwashing BP climate climate justice environment ethical funding Fossil Free Culture NL fossil fuel industry funding Liberate Tate sponsorship Tate

Delaine Le Bas : Secession

Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Delaine Le Bas drawing Francesca Gavin identity installation mythology performance art Roma spirituality Stephen Ellcock

Sex, Drag, and Male Roles : Investigating Gender as Performance

Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

androgeny androgynous butch Danny King Diane Torr drag drag king empowerment feminine gender identity Male Role masculine masculinity memory performance queer sex Stephen Bottoms workshop

Uninstalling Normality: A Study Room Guide on Madness, Mad Pride & Questioning Normality (2024)

Artist/Author: Dolly Sen | Reference: P4219 | Type: Publication

A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health

Bobby Baker Dolly Sen double consciousness identity mad pride madness normality psychiatry psychology queer Rebekah Ubuntu sanity the vacuum cleaner Vacuum Cleaner

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

activism ageing Beth Watton body female body feminism identity live art Lois Weaver older women Peggy Shaw performance art queer queer feminism Retro(per)spective Rocio Bolivier Split Britches Tammy Whynot

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire

Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

1980s Black female bodies Black performance conceptual art feminism identity Lorraine O'Grady pageant performance performance art political performance Vanessa Damilola Macaulay

Towards an Eighth Fire Approach : Developing Modes of Indigenous-Settler Performance-Making on Turtle Island

Artist/Author: Melissa Poll | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0908 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

cultural tradition identity Indigenous performance indigenous-settler performance making land Melissa Poll shakespeare theatre Turtle Island

An Introduction to the Phenomenology of Performance Art : SELF/s

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’

Common Salt

Artist/Author: Sheila Ghelani, Sue Palmer | Editor: Sheila Ghelani, Sue Palmer | Reference: P4209 | ISBN: 978183802296 | Type: Publication

Common Salt was a performance around a table – a ‘show and tell’ by artists Sheila Ghelani and Sue Palmer. It explored the colonial, geographical and natural history of England and India taking an expansive and emotional time-travel, from the first Enclosure Act and the start of the East India Company in the 1600s, to 21st century narratives of trade, empire and culture.

In the performance Sue and Sheila activated insights into our shared past, laying out a ‘home museum’ of objects and stories about borders and collections, the Great Hedge of India, a forgotten naturalist – all accompanied by original Shruti box laments.

This book documents and explores the project, placing the performance text, images and reflections from both artists alongside writings by invited guests – from curators and artists to audience members.

Common Salt is designed by John Hunter (aka RULER) and published by LADA.

archive collecting Colonial history culture documentation East India Company empire Enclosure Act England history India performance art Sheila Ghelani Sue Palmer trade