Artist/Author: Daniel Oliver | Digital Reference: EF5407 | Type: Digital File
Video documentation of ‘Passion Play’, an event curated and presented by Daniel Oliver, in collaboration with Access All Areas and LADA, on 1st August, 2025 at The Garrett Centre.
Included in the footage is: performances by graduating and former students from Access All Area’s ‘Performance Making Diploma’: Bruno De Ceita Pedro, Jacob Dean, Claire Dunbar, and George Webb, an introduction from Oliver and Dean, and a Q&A.
The event was funded through the Royal Central School of Speech and Drama’s knowledge exchange funding.
This is a video file and includes closed captions. Filmed and edited by Claire Nolan.
Artist/Author: Sibylle Peters | Digital Reference: EF5401 | Type: Digital File
Video documentation of an online book launch of A Good Love Story by Sibylle Peters on 14th February 2021. This conversation spanned love, intimacy and isolation, the state of Pleasure Activism today, heterasexuality and the question of what constitutes a good love story.
Sibylle Peters was joined by artist, activist and editor of German pop feminist Missy Magazine Margarita Tsomou; writer and sexual health activist Almaz Ohene; artist and activist Brian Lobel; artist and Heteraclub collaborator Ansuman Biswas; Canadian based artist and activist Cassie Thornton; and artist and A Good Love Story editor Hester Chillingworth.
Artist/Author: Ashley Chang | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0936 | ISBN: 978-184638-217-8 | Type: Article
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg. 59-67
In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.
Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg.49-57
Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
Artist/Author: André Stitt | Editor: Blair French | Reference: P4228 | ISBN: 978 1 920781 36 1 | Type: Publication
Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.
On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander
This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).
Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication
A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.
