Presents principles of the work by the Theatre of Research as a plea for transgenerational research in performance and Live Art.
Artists photographic book documenting the work of Joa Iselin and Christoph Razenhofer.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German
Edition of 800
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
The second volume of the landmark trilogy consent not to be a single being.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
On Forced Entertainment, prediction, and the community of audience.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).