Documents of Contemporary Art series.
Through 25 interviews with prominent figures in the performing and visual arts worlds, this is a complete and revelatory portrait of Robert Wilson and his inspired craft.
Documentation of more than 150 artists who participated in Performa 09.
An analysis of the fraught relation between political and representational visibility in contemporary culture.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Catherine Wood examines the political and media context of Rainer’s dance-theatre analysing her radical approach to image-making in live form. Part of One Work series of books, each focused on a single work of art examined by a single author and aimed at provoking debate about significant moments in art.
Investigations of failure as a key concern—as theme, strategy, and world view—of recent art.
Collection of seminal essays, interviews and performance texts by and about Happenings and Fluxus artists. Includes the 1965 Happenings issue of TDR (The Drama Review) edited by Michael Kirby. This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Shelved in Miscellaneous Journals section.
Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.
Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.