Catalogue > By Keyword > television
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That’s What Friends Are For
Short performance piece for television, with Neil Bartlett, Robin Whitmore, Ivan Cartwright, Noel Grieg and others. Incomplete. Superior complete version at REF. D1985. Part of the Neil Bartlett Collection. Donated to the British Library and the Live Art Development Agency Study Room from Neil Bartlett’s personal collection.
Wrong Bodies and Born Freak (extracts)
Channel 4 documentary; part of an event at the ICA in collaboration with the arts collective DHSS.
Can also be found in the Access all Areas : Live Art and Disability book and accompanying DVD: P1864
Devolving the Mutant
Documentation of pieces created 1999 – 2011: Wrong Bodies, Sealo the Sealboy, Kiss, Everything You Wanted to Know about Access in the City, Talidomida boy, Thalidomide!! A Musical, The Arms Striptease, Beauty and the Beast, No Retreat, No Surrender, and The Incurables of England, Gawd Bless ‘Em Down to Hell,
Part of the Library of Performing Rights (LPR) (P3041).
Documentation Bank: Yara El Sherbin
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
A Demonstration
Unsolicited Channel Four Ident
Performance documentation.
Lecture on Public Discourse
Documentation from Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010.
Vision On - Film, Television and the Arts in Britain
Narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting–the arts.
Staging the Screen
After tracing the history of current approaches back to early practitioners such as Méliès, Painlévé and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. Charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work.
Y Pen Bas - Y Pen Dwfn (The Shallow End -The Deep End)
A live theatre TV adaptation
Liveness: Performance in a Mediaized Culture
Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all.
Part of the Library of Performing Rights (LPR) (P3041).
TV Swansong
8 artists participate in a cross-media project about television
