A film installation and performance telling the story of ‘The Docklands Bell’; commissioned for The Floating Cinema 2011. 15th July 2011.

Event documentation; 13th July 2011

Documentation from the 17th International Festival of Contemporary Arts – City of Women.

Features documentation of pieces ‘Projector/Conjector’ (2011), ‘Into the Skirt’ (2010), and ‘Pregnant?!’ (2009).

Features an overview of Mamoru Iriguchi’s work and practice.

Ron Athey 5 April 1998

Documentation of a live performance held in Brighton in the summer of ’76. It looks at women engaged in ‘feminine’ behaviour.

Catalogue published in conjunction with, Hong Kong’s exhibition at the 54th Venice Biennale, on view from 4 June to 27 November 2011. Includes artistic concept, curatorial statements, an essay by Ming Fay, and a dialogue between the artist and curators.

Exhibition at DNA Galerie, Berlin (10 June-13 August 2011).

The experimental art scene in post-Tiananmen China has featured an array of animal bodies, both living and dead, as well as interspecies encounters ranging from the playful to the sadistic, from the gently collaborative to the violently conflictual, which interrogate and destabilize contemporary constructions of the nature-culture binary.