Catalogue > By Keyword > performance
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While You Are With Us Here Tonight
Organised around the text from ‘First Night’ (2001) the book reflects on Etchells’ practice with Forced Entertainment and solo work, while exploring contemporary performance documentation.
Rabih Mroué: A BAK Critical Reader in Artists’ Practice
The publication presents an array of challenging interpretations of and reflections on Mroué practice contributed by diverse group of artists, curators, art historians, and theorists.
London 2012 Festival
Pictures and details of 2012 Festival performances
(Syn)aesthetics: Redefining Visceral Performance
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Planes of Composition: Dance, Theory and the Global
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
Intimacy Across Visceral and Digital Performance
Marina Abramović / The Abramović Method
The catalogue ifrom The Abramović Method exhibition in Milan 2012
Marina Abramovic / The Abramovic Method
The catalogue ifrom The Abramovic Method exhibition in Milan 2012
M21: From the Medieval to the 21st Century
Live art interventions by disabled artists in the birthplace of the modern Olympic Games, May 2012
Performance Matters – Potentials of Performance – PoP Responses and a conversation between the Perfo
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Specially invited respondents working across the creative and critical field of performance (Nicola Cinibere, La JohnJoseph, Eirini Kartsaki, Harun Morrison, Joe Kelleher) gather to reflect upon the works experienced over the two days. Following, an informal conversation between the projects co-directors (Gavin Butt, Lois Keidan, Adrian Heathfield) looking back at the three-year project, its insights and paradoxes, and looking forward to the future of performance.
