A recitation of the text of the Universal Declaration of Human Rights, The General Assembly of the United Nations; Resolution 217 A (111) 10 December 1948, as an act of memory. 

Part of PSI 12.

Part of the Library of Performing Rights (LPR) (P3041).

Dedicated to those who have been effected and abused by Thailand government's power, and especially the Muslim human rights lawyer Somchai Nilapaijit  who has been kidnapped by the Thai police since 2004.

From PSI 12.

Part of the Library of Performing Rights (LPR) (P3041).

Based on real events, the performance centres on a notebook in which Mroué has collected everything published in local papers about the disappearance of a government employee in Beirut. 

Part of PSI 12.

Part of the Library of Performing Rights (LPR) (P3041).

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Catalogue of the solo exhibition at Magasin 3 Stockholm Konsthall (Autumn 2001) and SITE Santa Fe (September 2002-January 2003).

Collection of essays on Antoni’s work.

Catalogue of The 1999 Larry Aldrich Foundation Award Exhibition (January-May 2001).

A live art piece about mourning and loss.

Part of the Library of Performing Rights (LPR) (P3041).

 Zhu Yu’s xingwei yishu (behaviour art) and his controversial art actions reflect and critique the economic transition in China, and his performances become part of the “violent capital” of the new aesthetic economy.

Find article (2 copies) in misc. folder 1. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)